CV Karl F. Gerber
Born in 1954 in Lörrach (Germany), he began playing electric bass at the age of 16. He took the Abitur in the II.Bildungsweg and was at the same time a guest student of musicology in Freiburg i.Br. He studied jazz double bass with Adelhard Roidinger. He received his master's degree in physics from the LMU Munich. Experiments with mathematical music in real time began in 1984. His "Violinautomat" represents an acoustic-computer sound sculpture. Performances in USA, South Korea and at the World Music Days 2019. In Italy he received the "Award of Distinction" from Matera Intermedia in 2020 and the "Best Music Awart" from CMMR Tokyo 2021.
Violinautomat Foto: Reinhard Mohr
Die Arbeit am experimentellen Violinautomat steht im Vordergrund. Der improvisatorische Ansatz hat ihn zu seinem urspünglichen Jazz-Instrument Kontrabass zurückgebracht. Dieser wird nun über selbstgeschriebene Programme zu Wechselwirkung mit den VA gebracht.
Mitglied in den Berufsverbänden MGNM, MTKV, DeGEM, DKV, GMTH, ICMA, SEAMUS.
Formelimprovisation
In den 1980er Jahren begann er mit mathematischen Formeln Live ("in Echtzeit") zur improvisieren. Auch nach Aufkommen des Livecoding bleibt dies attraktiv; inzwischen können bis zu 50 Formeln mit über zwanzig Variablen verknüpft werden.
Phantomstiftung
Unabhängigkeit ist ihm wichtig. Dies war die Motivation zur Gründung der Phantomstiftung Eigenklang, einer Parodie auf das Gremienwesen in der zeitgenössicher Kunst-Musik und Klangkunst. (Dispositiv) (Eigenklang ist eingetragenes Markenzeichen seit 2001).
Langjährige Werkauswahl und künstlerischer Werdegang,
See for CV and more works: Komponistenindex
Neben der nicht gepflegten Webseite in Wikipedia stelle ich mich hier dar "München-Wiki....Wenn man nicht alles selber macht"
Q: Is the Sensor32 array a Theremin?
A: No, not.....In this demo video my intention was to show smooth fading without sound (avoid those misunderstandings like Theremin.....) In this video "noTheremin" Sensor32 is used exclusively to conduct 12 indvidual light bulbs, each flashing in different speed (rhythm).
Q: In Facebook the DJane from Estonia asks: can it be a light show?
A:Answer yes, as soon as there is sound to it (which is technically ready)
Q: How does it compare to a theremin?
A: It is polyphonic, can control any parameter in multimedia and sound synthesis. The resolution may be weaker but at the same time may be easier to play.....depends on the control software. If you insist in the term Theremin: sensor32 represents 16 Theremins ;-)
Q: To Roger Nov2, 2022, Facebook. He proposed a link to a performance on a historic Thermin
A: My comments in Facebook, (to Roger Nov2, 2022)
Dear Roger, thank you for your interest in sensor32. Your example film shows the virtuoso use of a real Theremin. One hears a unanimously artfully ornamented melody (single voice, two parameters: pitch and volume). I don't start from the Theremin. But if you really want to compare it, it would be 16 theremins (however not RF waves contolled but infrared distance). With some training, you should be able to play in two voices, the volumes with your lower legs. Even more voices for more people at the same time. My interest is in live computer music. Basically I am interested in improvisation with more than two parameters! Imagine a soundscape that I dive into with my whole body. More text can be found at www.sensor32.com
1. Describe your instrument in one sentence
2. What inspired you to build it?
3. Were you inspired by a particular instrument maker/invention?
4.How long did you work on your instrument?
5. Do you have plans to pass on/perform with the instrument after the competition?
6. What experience do you have in instrument making?
7. What did you learn while making the instrument?
8. Advice for young instrument makers?
1. Control a large number of continuous electronic parameters very spontaneously and directly with the whole body at the same time for sound, rhythm, space, visuals, etc.
2. Two shortcomings of loudspeaker music: (ad hoc) composing and instrumental creation of sound remain imperceptible.
3. Unconsciously by Therem and more likely by Matthews Radio Baton and Christina Kubisch.
4. One year
5. I myself play concerts e.g. at MOXSonic 2023 and in a duet with flutist Karina Erhard again and again in Munich and elsewhere.
6. I have never built real instruments, but have automated quite a few (interactive) instruments since 2012
7. Specifically PCB design with KiCad
8. He who makes what everyone makes gets what everyone gets (stock market wisdom, here on the subject of originality, authenticity).
Backstage Oct 3, 2022
at NYU´s Garage performance space in Brooklyn.
Setting up sensor32 array.
(Ircam Forum)
Releases from the 1990ies and K7-scene: klick for Discogs listings
Youtube Eigenklang Roboterjazz
Noten/Score Download "Loops " für Piano Solo von 2003